Nominees for Best Hard Rock Performance and Best Metal Performance in the 53rd annual Grammy awards have been announced.

Best Hard Rock Performance

Alice in Chains: A Looking In View

Ozzy Osbourne: Let Me Hear You Scream

Soundgarden: Black Rain

Stone Temple Pilots: Between the Lines

Them Crooked Vultures: New Fang


Best Metal Performance

Iron Maiden: El Dorado

Korn: Let the Guilt Go

Lamb of God: In Your Words

Megadeth: Sudden Death

Slayer: World Painted Blood

It’s the second nomination in a row for Alice in Chains, Lamb of God, Megadeth and Slayer. Maiden have been nominated twice before but never won. Ozzy has won Best Metal performance twice. Soundgarden won both awards in 1995. Slayer and Korn have two awards each and Stone Temple Pilots have one.

The award ceremony takes place on February 13 in Los Angeles, with the rock and metal awards traditionally held in a lower-key venue than the main televised event.

Last year’s Best Hard Rock Grammy went to AC/DC for War Machine, which won over Alice in Chains’ Check My Brain, Linkin Park’s What I’ve Done, Metallica’s Unforgiven III and Nickelback’s Burn it to the Ground. The Best Metal Performance was won by Judas Priest for Dissident Aggressor, which was up against Lamb of God’s Set to Fail, Megadeth’s Headcrusher, Ministry’s Senor Peligro and Slayer’s Hate Worldwide.

Other rock-related nominations for 2010

Best Rock Album

Emotion & Commotion: Jeff Beck

The Resistance: Muse

Backspacer: Pearl Jam

Mojo: Tom Petty and the Heartbreakers

Le Noise: Neil Young


Best Rock Song

Angry World: Neil Young Little

Lion Man: Mumford & Sons

Radioactive: Kings Of Leon

Resistance: Muse

Tighten Up: The Black Keys


Best Rock Instrumental Performance

Hammerhead: Jeff Beck

Black Mud: The Black Keys

Do The Murray: Los Lobos

Kundalini Bonfire: Dave Matthews & Tim Reynolds

The Deathless Horsie: Dweezil Zappa


Best Rock Performance By a Duo or Group With Vocals Ready To Start:

Arcade Fire I Put A Spell On You: Jeff Beck & Joss Stone

Tighten Up: The Black Keys

Radioactive: Kings Of Leon

Resistance: Muse


Best Solo Rock Vocal Performance

Run Back To Your Side: Eric Clapton

Crossroads: John Mayer

Helter Skelter: Paul McCartney

Silver Rider: Robert Plant

Angry World: Neil Young


Whether it’s a solo, a riff, or a single chord that hangs suspended in the air like a pregnant pause, a great guitar intro can set the tone for an entire song. Rock history is loaded with terrific examples, but below are 10 that set a particularly high standard.

  • OZZY OSBOURNE – CRAZY TRAIN
  • LED ZEPPELIN – STAIRWAY TO HEAVEN
  • JIMI HENDRIX – VOODOO CHILD
  • METALLICA – ONE
  • LED ZEPPELIN – WHOLE LOTTA LOVE
  • EAGLES – HOTEL CALIFORNIA
  • DEEP PURPLE – SMOKE ON THE WATER
  • MICHAEL JACKSON – BEAT IT
  • GUNS ‘N’ ROSES – SWEET CHILD ‘O’ MINE
  • METALLICA – NOTHING ELSE MATTERS

Ek (C)aawara nadi

(Am)Chalke woh khul ke

sansa(F)naati sanan (G)sanan

Aur woh (C)hai jheel sa

(Am)Khaamoshiyon ki ek (F)tarang liye (G)tarang

(G#)Rishta yeh kaisa jalti (A#)ret paaon ka

(G#)Rishta yeh kaisa zil-mil

(A#)dhoop chaaon ka bolo

(C)wooo adhoore (Am)tum adhoore (G)hum bin (F)tumhare

(C)wooo adhoore (Am)tum adhoore (G)hum bin (F)tumhare

(C)Mutthiyon mein

(Am)Baadalon ko leke (F)woh nichod de

(C)Woh raat ki

(Am)Chuppi mein shor (F)natkhat chod (G)de

(C)Mutthiyon mein

(Am)Baadalon ko leke (F)woh nichod de

(C)Woh raat ki

(Am)Chuppi mein shor (F)natkhat chod (G)de

(G#)Bebaak hai bindaas hai

Use (A#)zindagi ki (C)pyaas hai

(G#)Paas hai par dooriyaan

(A#)Makhmali (C)majbooriyaan hain

(C)wooo adhoore (Am)tum adhoore (G)hum bin (F)tumhare

(C)wooo adhoore (Am)tum adhoore (G)hum bin (F)tumhare

(C)Maan ke Kamron mein

(Am)Woh Khole Khuboon (F)ki Shishiyan

(C)Woh Sahilon

Pe (Am)Dounndhta Hai Ishq (F)Wali Sipiyan

(C)Maan ke Kamron mein

(Am)Woh Khole Khuboon (F)ki Shishiyan

(C)Woh Sahilon

Pe (Am)Dounndhta Hai Ishq (F)Wali Sipiyan

(G#)Pyaar hai Romance hai

Bas (A#)yehi sa(C)ach hai

(G#)Do Dilon ke Darmiyan

(A#)Khawashiyon ki (C)Kastiyan hai

(C)wooo adhoore (Am)tum adhoore (G)hum bin (F)tumhare

(C)wooo adhoore (Am)tum adhoore (G)hum bin (F)tumhare

Ek (C)aawara nadi

(Am)Chalke woh khul ke sansa(F)naati sanan (G)sanan

Aur woh (C)hai jheel sa

(Am)Khaamoshiyon ki ek (F)tarang liye (G)tarang

(G#)Rishta yeh kaisa jalti (A#)ret paaon ka

(G#)Rishta yeh kaisa zil-mil (A#)dhoop chaaon ka bolo

(C)wooo adhoore (Am)tum adhoore (G)hum bin (F)tumhare

(C)wooo adhoore (Am)tum adhoore (G)hum bin (F)tumhare

(C)wooo adhoore (Am)tum adhoore (G)hum bin (F)tumhare

(C)wooo adhoore (Am)tum adhoore (G)hum bin (F)tumhare

I’m back with the best of KoЯn now..

After 17 years, KoЯn is  still one of the coolest bands ever…

Here are the top songs of KoЯn

  • COMING UNDONE
  • TWISTED TRANSISTOR
  • BLIND
  • FALLING AWAY FROM ME
  • EVOLUTION
  • A.D.I.D.A.S
  • GOT THE LIFE
  • HERE TO STAY
  • CREEP
  • FREAK ON A LEASH
  • DID MY TIME
  • ALONE I BREAK
  • NO WAY
  • MY GIFT TO YOU
  • TRASH

I’m pretty sure most of you must’ve heard random chatter about how Mani Shankar’s Knock Out bears resemblance to a certain Kiefer Sutherland starrer Phone Booth. Well, don’t believe a word of it! While Phone Booth is slick, and tense, and louly, and awesome, Knock Out is a steaming pile of bullcrap. Although, where Knock Out lacks in awesome, it makes up in sheer WTF-ery. Sample lines such as, “Heart hamara left main hota hai, magar hamesha right hota hai”, said with such deadpan seriousness that it breaks my heart, because it’ll never translate in comic form. Meh, there’s more than enough bits that will, though.

So, Anjaana Anjaani is a simple love story… About a boy and a girl… Who want to kill themselves… But keep doing fail… So in the end they hook up.

Least fucked up relationship. ever.


C          G          D         D

C          G          D         D

(C)Mera O (G)Mera (D)Chehra Hua

(C)Mujhse An(G)Jaan (D)Kyu

Kaun (C)Hu Main (G) (D)

Kaun (C)Hu Main (G) (D)Oooo

(C)Aawaz (G)To Hai Me(D)Ri

Par (C)Kehta Ko(G)I Aur (D)Hai

(C)Jhoothi Meri (G)Batein Aur (D)Sacha Mera Pyaar

(C)To Kya Meri (G)Pehchaan (D)Hai

(C)Bolo Na Kya (G)Naam (D)Hai


Call Me (G)Dil, Call Me (C)Baby

Call Me (G)Jo Naam (D)Tu Main Wa(C)Hi

Call Me (G)Dil, Call Me (D)Baby

Call Me (C)Jo Naam (D)Tu Main Wa(C)Hi


Call Me (Bm)Sach To Main (Am)Sacha

Call Me (C)Chahe Jhoo(D)Tha Hi Sa(G)Hi

Call Me (F)Sach To Main (G)Sacha

Call Me (C)Chahe Jhoo(D)Tha Hi Sa(G)Hi


(C)Ek Bas (D)Dil Hai Mera

(C)Tujhpe Hi (D)Fida To (G)Hai

(C)Kaise Ye (D)Maan Le Ab

(C)Hone Ko Al(D)Vida To (G)Hai

(G)Ruk Ja Dil (D)Deewani

(G)Pooche Dil (D)Mera

(C)Kyun Ye (D)Saza, Dil To (G)Nadan Hai


Call Me (G)Dil, Call Me (C)Baby

Call Me (G)Jo Naam (D)Tu Main Wa(C)Hi

Call Me (G)Dil, Call Me (C)Baby

Call Me (C)Jo Naam (D)Tu Main Wa(C)Hi

Call Me (Bm)Sach To Main (Am)Sacha

Call Me (C)Chahe Jhoo(D)Tha Hi Sa(G)Hi

Call Me (F)Sach To Main (G)Sacha

Call Me (C)Chahe Jhoo(D)Tha Hi Sa(G)Hi


(C)Tere (G)Dil Se (D)Pehle

(C)Tootega (G)Dil (D)Mera

Hai Ye (C)Vaada(G)(D)

Hai Ye (C)Vaada (G) (D)Oooo

(C)Har Jhooth (G)Aine (D)Me

(C)Sacha Sa (G)Lag Ra(D)Ha Hai

(C)Dekh Le (G)Tu Bhi To (D)Ho Ek Baar

Ke (C)Kya Meri (G)Pehchan (D)Hai

(C)Bolo Na Kya (G)Naam (D)Hai


Call Me (G)Dil, Call Me (C)Baby

Call Me (G)Jo Naam (D)Tu Main Wa(C)Hi

Call Me (G)Dil, Call Me (C)Baby

Call Me (C)Jo Naam (D)Tu Main Wa(C)Hi


Call Me (Bm)Sach To Main (Am)Sacha

Call Me (C)Chahe Jhoo(D)Tha Hi Sa(G)Hi

Call Me (F)Sach To Main (G)Sacha

Call Me (C)Chahe Jhoo(D)Tha Hi Sa(G)Hi

CALL ME DIL – RASHID ALI

Awesome composition by Rahman.Perfectly Rahman’ish….

Call me dil‘s dulcet notes get accentuated because of Rashid Ali’s vocals as Rahman gets his balladish orchestration pitch-perfect here!

CRY CRY – RASHID ALI,SHREYA GHOSHAL

Rashid’s other track, Cry cry, is the mellow, pondering equivalent of Aditi; similar in its free-flowing format and conversational lyrics, particularly when Shreya Ghoshal joins, this one is vintage Rahman-style slow poison!

HELLO HELLO – KARTHIK

Hello hello is where Rahman plays his genre-bending card…rather well. With a faint echo of Middle-eastern, but treading pleasant experimentations, this track by Karthik is interesting precisely because of its unconventional sound!

MAYYA YASHODA – CHINMAYEE,JAVED ALI

Chinmayi sounds different yet again and is in brilliant form, as she joins Javed Ali in Mayya Yashoda…a spritely, mildly spoofy traditional tune that gets hyper-enthusiastic towards the end!

DO NISHAANIYAN – SONU NIGAM

Sonu goes all moony in Do nishaaniyan, but it sounds at best like a Yuvvraaj leftover, except for Abbas’s fascinating lyrics!

PAM PA RA – SHREYA GHOSHAL

Pam pa ra, beyond that simplistic facade, holds a lovely mix of genres, much like Hello hello – a stagey, but charming mix!

I’LL BE WAITING – VIJAY YESUDAS

I’ll be waiting is the soundtrack’s stunning highlight – Vijay Yesudas in a dreamy, beautifully orchestrated, jazzy package that touches on  lovely Hindi lyrics too!

There are two remixes – Do Nishaaniyan ( Reprise ) and Mayya Yashoda ( Thames Mix ) in the album…

As if making up for Endhiran’s bombastic outburst, Rahman delivers and succeeds with a gorgeous experiment, quite confidently!

ROCK-A-HOLICS RATING : 4.25/5

Intro Chords : F..C..F..C..F..C

F………………C……….F………………C……
Khwaabon ki lehrein, khushiyon ke saaye
F………………C……..F…………..C……
Khushboo ki kirne, dheeme se gaaye
F…………….G………………Am…………E…………..Am…F
Yahi to hai humdum, woh saathi, woh dilbar, woh yaar
F……………G………Am…………………..C…..
Yaadon ke naazuk paro pe chala aaya pyaar
C………………..F…C……………..F
Chala aaya pyar, chala aaya pyar

Repeat two times

C………………………..F………………
Mohabbat ka dariya ajooba niraala
G……………….F…….C………………..G
Jo tehra, woh paaya kabhi na kinaara

C………………………..F………………
Mohabbat ka dariya ajooba niraala
G……………….F…….C………………..G
Jo tehra, woh paaya kabhi na kinaara
F…………….G………Am…………………………….F
Jo bekhauf dooba wahi to pahunch paaya paar
F…………..G………Am……..G…………..C…..
Yaadon ke naazuk paro pe chala aaya pyaar
C…………………F……………………F
Chala aaya pyar, chala aaya pyar


  • Let me go
  • The real life
  • Its not me
  • Better life
  • Here without you
  • Running out of days
  • Behind those eyes
  • Kryptonite
  • Train
  • Citizen/Soldier
  • Its not my time
  • Let me be myself
  • When its over
  • Your arms feel like home
  • The road I’m on